ethan pettit gallery

Brainard Carey of Yale Radio talks with Immersive pioneer Ebon Fisher about Immersionist culture, memes, and media organisms, starting w...

Ebon Fisher and Ilene Zori Magaras are the editors of an upcoming book about the Immersionist movement in Brooklyn in the 1990s, it's in...

Mari Oshima’s “Unlimited” is on view in Paper Reveries , a show at the Shirley Fiterman Art Center of the Borough of Manhattan Community...

Pool Cue Archery Bow Cello from 1981, is one of a large group of Ken Butler's pieces now on display in  Art or Sound , a survey that ...

Move in freedom, move in total freedom, and each moment remember to drop the past. It accumulates like dust. Each moment you have ...

Mari Oshima, Metro Card, paper, glue, metro card. 5 x 7 in. 2011 We are pleased to announce that the gallery made its first sale t...

We are not surprised. It was a known possibility. And we are overjoyed to be affiliated with Richard Humann. He is now "affiliated...

Salt of the Earth  Richard Humann won by the author at the wagmag Benefit Raffle on May 8, 2012. Photo by Paul Behnke Humann...

“Conceptual art” has been ubiquitous for so long that the term has lost its original and specific meaning. Now it means anything that rif...

Takahiko iimura: Between the Frames Microscope, March 19-April 11, 2011 It was a supermoon over the Township of Bushwick. When the mo...

In 1989 I opened and "projected" my storefront on Bedford Avenue in Williamsburg out into the street for a day or two. Twenty...

Dennis Del Zotto, Starry Night polystyrene with holes and back-lighting Seid umschlungen, Millionen! Diesen Kuss der ganzen ...

Dennis Del Zotto and the Williamsburg Scene Del Zotto in Organic TV: a New York Moment Galapagos, 1997 Screen grab from Japane...