We count ourselves lucky among New York City galleries now to be representing an iconoclast of two major currents of activity across the turn of the century. Ken Butler is outsized both in Williamsburg and in the downtown school of Zorn. He is probably also the only artist in the world who can claim the distinction of having had simultaneous shows at the Metropolitan Museum of Fine Art and the Ripley’s Believe It or Not Museum.
Ken Butler's work has also been featured at the Stedelijk Museum in Amsterdam, and at Exit Art, Thread Waxing Space, The Kitchen, The Brooklyn Museum, and Lincoln Center. His work has toured South America, Thailand, and Japan. Butler has been reviewed in the New York Times, The Village Voice, Artforum, and Smithsonian magazine. He has been featured on MTV, PBS, CNN, and NBC. Ken recorded his 1997 Voices of Anxious Objects on John Zorn’s Tzadik Records. And he has a dozen other releases out on various labels.
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Ken Butler, Sled Cello, 1998, Mixed media. Collection of the Hallie Ford Museum of Art, Willamette, Oregon, Gift of the artist |
I am most pleased that Ken has joined us. I welcome and thank him. In our upcoming group show opening September 7 (still TBA) you'll see some of Ken Butler’s famous hybrid instruments.
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Ken Butler, Torso Cello, 1994, Mixed media. 51 x 14 x 12 |